By Mark Galer
Unharness the hidden power for pro photograph enhancing in Adobe® Photoshop® components with this project-based, real-world guide.
Using step by step directions and accompanying motion picture tutorials, Mark Galer leads you thru the fewer famous and strongest post-production modifying suggestions Adobe® Photoshop® parts has to supply. crafty methods and smart workarounds assist you to create specialist photographs with no positive aspects from the complete Adobe® Photoshop® package deal that you simply desire yet don't need to pay for - practice projects you did not imagine have been attainable in Adobe® Photoshop® Elements!
Whether you are an imaging specialist or a images fanatic, this publication may also help you get the utmost functionality out of your software program. find out how to:
* Create awesome results with out advertisement lights or studio equipment
* expand the dynamic diversity of your digicam by means of merging a number of exposures
* Optimize, increase and montage pictures with gorgeous results
The accompanying DVD offers wide help with motion picture tutorials for all tasks, excessive answer photographs, multilayered documents of accomplished tasks, a inventory library and a keyboard shortcut guide.
Mark Galer is a contract photographer, entire lecturer and best-selling writer of quantity books on images. he's an respectable Adobe Ambassador for Adobe® Photoshop® and Adobe® Photoshop® parts.
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Extra resources for Adobe Photoshop Elements 6 Maximum Performance
10 . Now a couple of really interesting things have happened (well mildly interesting for a computer geek anyway). First, and not surprisingly, the virtual mountains have reappeared - but this time they represent only the selected pixels and not the pixels of the entire image (hence the diﬀerent shape). Second, the ants have mysteriously disappeared, only to be replaced by a new layer in the Layers palette. This layer is called an ‘adjustment layer’ and it will play host to the adjustments we are about to make in this Levels dialog box.
With too much feathering the color corrections will bleed into the adjacent image and make it look like your colors are running. 8. Because making a selection can be the most time-consuming part of the process, and because computers crash (no really they do), Adobe allows you to save your selection. Go to the Select menu and choose ‘Save Selection’ - give it a name, choose OK and then save your image ﬁle by going to the File menu and choosing ‘Save As’. Choose a diﬀerent name to save it as a diﬀerent ﬁle to the original and use the Photoshop ﬁle format (the JPEG ﬁle format does not support saved selections).
32 Project 3: Camera RAW 4. Vibrance Increasing saturation in Adobe Camera Raw can lead to clipping in the color channels. Clipping saturated colors can lead to a loss of ﬁne detail and texture. The Vibrance slider applies a nonlinear increase in saturation (primarily targeting pixels of lower saturation more than colors that are already vibrant). The adjustment feature has also been designed to protect skin tones from becoming oversaturated and unnatural. The Vibrance adjustment feature should lead to less problems when compared to the Saturation control and should be used for most situations where increased color saturation is required.
Adobe Photoshop Elements 6 Maximum Performance by Mark Galer